Boom mic and shotgun microphones for small documentary crews
Boom mic technique for small documentary crews: shotguns on camera or on a pole, boom stands, 32-bit float recorders, closed-back headphones and room tone.
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Boom mic technique for small documentary crews: shotguns on camera or on a pole, boom stands, 32-bit float recorders, closed-back headphones and room tone.
Keep readingFour films for anyone choosing a Chernobyl documentary, what each one shows and leaves out, and how the 2019 HBO drama differs from the archive record.
Keep readingB-roll for documentary makers: where the term came from, A-roll versus B-roll, how editors cut with it, and the moment cover footage starts to mislead.
Keep readingHow to choose and hide a lavalier microphone, when wireless beats wired, and how backup recording, headphones and batteries keep a documentary interview safe.
Keep readingFrom Alanis Obomsawin and the Indian Film Crew to Isuma and Tasha Hubbard, a short history of Indigenous documentary in Canada and where to start watching.
Keep readingHow documentary makers can protect survivors of violence on camera: ongoing consent, the right to withdraw, disguise methods, secure footage and aftercare.
Keep readingAn editor's method for shaping 200 hours of documentary footage into a film: logging, selects, paper edits, structure, honest cutting and when to lock.
Keep readingHow Michel Brault, Gilles Groulx and Pierre Perrault took light cameras and live sound into Quebec life, and how cinéma direct differs from vérité.
Keep readingMusic documentaries about buskers and outsiders: how they record sound on the street, the ethics of filming people without homes, and three films to start.
Keep readingSales agents, broadcast windows, streamers, classrooms, impact screenings and archives: how an independent documentary keeps working after its premiere.
Keep readingHow repertory cinemas and film societies keep going on members, volunteers, smart programming and good rooms, plus a plain guide to starting your own.
Keep readingSix documentaries about children and war, from Promises to For Sama, and the safeguards that should govern any film that asks a child to bear witness.
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